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What I like most, creation is project ideas, combine several areas that do not seem compatible at first. Always ask where we could go with a design. In this vein, I had already said that if one day I began making music, it would be to explore the possibility of my pictorial works in music. More songs, text or parts binary or ternary, mounted on a canvas pop, jazz or other ... No. Instead create a variety of soundtracks associated with visual, like film music, perhaps.

In fact, even when I was composing pop, I worked in layers, I added as and when (as is the case to say) instruments, tones and rhythms. But I may be restricted format.

In the case of my paintings in transcribing music, it would be much freer. Truly treated the same way that my paintings and the same approach, either spontaneous mnemonic emanation , questioning and observation of the time and place by the resurgent spontaneous memory.

So beyond this concept, I wondered if you could go even further: What would my pictorial approach in contemporary dance? The spontaneous emanation mnemonic could it be a good idea to treat movements? I think so, because in my painting in its implementation process, it is just matter of movement, disconnection of the intellect to resurface the body memory.

My paintings on location, transparencies, movements, a soundtrack ... While opinion

choreographers ...

Read also: The emanation mnemonic spontaneous choreographed

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movements in the sauce spage

was a Saturday night. Cheese fondue is looming. "comfort food" needed in this busy autumn. Then the wind turned. "And if we did a mega "spage sauce"? "And when I say mega ... A pot of £ 60 an abundance of vegetables, meat, tomatoes, garlic and spices ... Well, it's more work than a fondue, but with a small glass of red wine and a jazz background, it heals the deepest discounts in question.

Because these changing times (read: season), fatigue, and it seems the hormonal imbalance due to stress helping professional, thoughts are turned upside down, shoved off and proportions. And as my world of work seems more befitting my sensibility momentarily weakened, the ideas are going in all directions. And
not to mention the language divide in this world that is felt more and more as cultural sensitivities are decidedly different. Titillating and very fine degree of concepts and visions, I realize that the walls are moving by themselves without that I need to hit them. There
home too full, a tidal and tired of constantly having to defend concepts that seems to fall under the human sense, sensible and logical, but which have no place in the storylines and trade measures profitability.
There is also the fact that to feel the wind that runs before the first breath of air is particularly hard to explain, validate, quantify and account. I can do nothing against the spirits accounting. Yet the past me once more vindicated. But it is the present that counts (this count!) And I live in the future trends, I move into the horizon of consciousness ...

short, this sauce could not be more comforting because here it upsets the conventions do not follow any recipe, it disturbs the traditions by creating excess, overload and excess, it is made of light oblique right-thinking people, because nobody behind us is there to criticize the approach. And most importantly, we have faith in the outcome of the process because of Anyway, it will be divine this sauce!

And for the record, even by five, the sauce having spent the night outside in the morning it was still warm. Was it the fire of passion in this sauce? Definitely!

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The compression effect

Opus Nuovella 2011

I'm experiencing a strange thing: The effect of compression. No sooner have we launched the R & D team of Opus, the range 2011 bikes, with retailers in the salon, then to the public in the catalog and site, we here present the drawings of the range 2012 to representatives.

2011 Opus Vivace

In other years, the time between launches and presentations for next year was greater. But Opus is expanding and we are made to press the accelerator. In fact it's much why I feel exhausted at the end of the year because instead of finalizing the concepts in three months, I had to do it in three weeks ... In addition to finalizing the new website Opus that followed the c Opus atalog 2011.

Opus One 2011

Both the range 2011 is a success, maybe even better reception since the project began Opus, as the range of 2012 has left officials puzzled, doubtful, almost cold. A real coup for baseball bat in the shins, stopping notes momentum, and I must admit, breaking my energy.
I wondered why such a reaction, then I think to make a dramatic change in style from the range each year.

Opus Nelson 2011

The answer appeared to me very quickly. I live and rubs models for nearly six months before launch. Even a year in some cases, because I have flashes early in the process that make me draw designs well before we even think of integrating them into the range.

Representatives live with these models for a month or two at most, and bham! They balance a new range 2012 with some quite marked changes. They have not had time to digest, 2011, to step back, or grow weary, they come with other things.

Opus Ivanna 2011

Do I designed 2013? No, of course. Am I going too far? I think not. So what should we do? Pass and move? They will then have time to take the perspective that I have, that the whole team?

Unfortunately, I live in an environment where the commercial obviously too abstract concepts of time and its influence on perceptions have no place ...

Imagine how I managed to explain this with my poor English ... I did it in French, translated as may be by my colleagues. What does he mean ?