What I like most, creation is project ideas, combine several areas that do not seem compatible at first. Always ask where we could go with a design. In this vein, I had already said that if one day I began making music, it would be to explore the possibility of my pictorial works in music. More songs, text or parts binary or ternary, mounted on a canvas pop, jazz or other ... No. Instead create a variety of soundtracks associated with visual, like film music, perhaps. In fact, even when I was composing pop, I worked in layers, I added as and when (as is the case to say) instruments, tones and rhythms. But I may be restricted format.
In the case of my paintings in transcribing music, it would be much freer. Truly treated the same way that my paintings and the same approach, either spontaneous mnemonic emanation , questioning and observation of the time and place by the resurgent spontaneous memory.
So beyond this concept, I wondered if you could go even further: What would my pictorial approach in contemporary dance? The spontaneous emanation mnemonic could it be a good idea to treat movements? I think so, because in my painting in its implementation process, it is just matter of movement, disconnection of the intellect to resurface the body memory.
My paintings on location, transparencies, movements, a soundtrack ... While opinion
choreographers ...
Read also: The emanation mnemonic spontaneous choreographed
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